Ebook Free Woodcut, by Bryan Nash Gill

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Woodcut, by Bryan Nash Gill

Ebook Free Woodcut, by Bryan Nash Gill

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Pressestimmen

It's a strangely moving experience to flip through Woodcut (Princeton Architectural Press, $30), a book of Bryan Nash Gill's relief prints of tree-trunk cross sections, which the artist harvests from felled trees, cedar telephone poles and discarded fence posts in his native Connecticut. One is struck by how Gill's method - cutting blocks with a chain saw, sanding them down, burning them and sealing them with shellac - amplifies the events in the life of a tree: lightning strikes, burgeoning burls, insect holes and, of course, the aging process, evidence of which radiates out in transfixing patterns. Verlyn Klinkenborg, who also writes for The New York Times, describes these cross sections in the book's preface as "the death mask of a plant, the sustained rigor mortis" of maple, spruce and locust. They remind us, he says, that every biological form "possesses a unique footprint." --- T: The New York Times Style Magazine"With this mesmerizing series, Bryan Nash Gill doesn't just bridge the gap between abstraction and representation, object and subject-- he closes them. WOODCUT confirms Gill's place as one of the most inventive, inspired artists working today" -- Tod Lippy, Esopus magazine"A swell coffee table companion for hip young DIY-ers who cultivate a lumberjack look that says they've come straight from splitting firewood, the new book "Woodcut" is also likely to appeal to a much wider audience." -- Wall Street Journal

Über den Autor und weitere Mitwirkende

Bryan Nash Gill is an artist in rural Connecticut, where he lives with his wife and son, Forest. His prints, drawings, and sculptures are heavily influenced by the New England countryside he calls home.

Produktinformation

Gebundene Ausgabe: 128 Seiten

Verlag: Hardie Grant London Ltd.; Auflage: 01 (1. April 2012)

Sprache: Englisch

ISBN-10: 1616890487

ISBN-13: 978-1616890483

Größe und/oder Gewicht:

21,3 x 2,2 x 23,8 cm

Durchschnittliche Kundenbewertung:

5.0 von 5 Sternen

1 Kundenrezension

Amazon Bestseller-Rang:

Nr. 257.866 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)

Das Buch enthält Abbildungen von Schnitten durch Baumstämme, mit Kommentaren zu Auffälligkeiten / Besonderheiten.Faszinierend! Das Buch ist nicht groß, aber für den Preis stimmt die Qualität!

Gill's prints pass his personal, perhaps metaphysical relationship with the grain of each tree trunk or piece of wood cross section on to the viewer.  As you stare at the many circles, you find yourself entering into a sort of mental maze, asking some of the same questions Gill must have asked – how old was this tree, what caused the aberrations in circular patterns, what insect damage occurred, what are the coloration variations.Of course, one can look at these prints and simply be attracted by their abstraction and geometric playfulness.  To others, they are simply graphically pleasing. But what makes Gill's work special is the personal "records of my connection," as he expressed it.One might ask, wasn't he just copying? The answer, emphatically, would have to be "no." In every step Gill exercised his creative talent and artistic eye –  in the tree or board he chose, the particular crosscut he singled out, the painstaking way in which he prepared each surface, the ink used and the how he extracted the patterns, circle by circle. If you aren't able to purchase one of Gill's large monoprints, this book may be a good second option.

I bought this book after having viewed an exhibition of the artist's work. Like most books of this type, it serves as a record of the work and the process the artist used to create it. The actual prints, of course, are much larger and vivid than the reproductions in the book. Beyond that, the book goes into detail about the living history of the trees extracted from study of the cross sections portrayed in the prints. A good book to study on a cold winter night.

I really like the idea of this book, when I got it I was a little disappointed by the prints. I thought this was more of a coffee table picture book, there's a lot more text than I was expecting. That may be a silly complaint, I was just expecting more artwork inside. :)

love this book very much

Wish it was a larger format book. It's quite small for an art book, but love the woodcut prints.

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Woodcut, by Bryan Nash Gill PDF

Woodcut, by Bryan Nash Gill PDF